Logic 5.5 1
Compared to previous versions, Emagic Logic 5 is a big leap forward in terms of features, power, and ease of use. With version 5.5, Logic now runs under OS 9 and OS X on the Mac as well as on Windows on the PC.
Logic 5.5.1 was the last version to be released for Windows. From Logic 6 onwards, the software would only be available on Mac OS. Free logic 5.5.1 windows download software at UpdateStar.
Although future development of Logic on the Windows platform has come to an end, ongoing support of Emagic's current products has not slowed one bit, resulting in a steady stream of significant updates. New features in automation; surround mixing; 24-bit, 192 kHz compatibility; software instruments; and control-surface hardware support make Logic Platinum 5.5 a formidable package that currently rivals all other audio sequencers, on both computer hardware platforms. Logic 5.5 is available in three versions for both Windows and the Mac OS. The version reviewed here, Logic Platinum, is the full-tilt package with the most plug-ins and the greatest capabilities.
For $300 less, Logic Gold ($649) offers fewer audio tracks and other features. Note that the word “Audio” has been dropped from the product name of Platinum and Gold. The previous entry-level version, Logic Audio Silver, is now simply Logic Audio ($399) in version 5.5. FACE-LIFT FORWARD The key word to Logic is flexibility. No other digital audio workstation allows such a degree of customization for its users. In the past, its depth of features intimidated many novice users. Logic 5.5 streamlines many operations and menus, resulting in a more user-friendly experience without compromising any of the power that professional users demand.
Logic 5.5 maintains the graphic style that was introduced in version 4; however, you can still choose to apply the look of version 3 if you prefer. I last used Logic extensively in the days of Logic 3, so the newer graphics were a bit unsettling at first. The new look takes a dark and futuristic approach to its knobs and faders — especially in the native plug-ins — which I didn't care for initially. After spending a few weeks with the new interface, though, I switched to the version 3-like graphics and immediately preferred the newer look, which I've now grown to like quite a lot. Evanescence Special 2004 Rar Software Zip there. The main menus and submenus have been further refined in their organization since version 4, especially as new features have been added to the program. I didn't spend a lot of time comparing the current version to older ones, but I can say that the Logic's much-appreciated, context-sensitive approach to submenus is even better in version 5, making navigation of the interface easier overall.
OPENING WINDOWS Logic's Arrange window is the center of the action (see Fig. In the Arrange window's list of MIDI and audio tracks, individual tracks can be edited, quantized, automated, muted, and soloed. As you zoom in on a track, its region content becomes visible (and editable) in the form of an audio waveform or MIDI data display. The Parameter and Extended Sequence Parameter boxes offer nondestructive editing of parameters such as quantize, loop, transpose, Velocity, dynamics, gate time, delay, and audio fades. Better yet, as a sequence is playing, you can tweak those parameters in real time without a hiccup, which is perfect for painlessly tweaking dynamics and timing in the context of an entire sequence.
In addition to the feature-packed Arrange window, Logic offers a number of other editing windows, including the Mixer, Event List, Score, Transform (for creating complex MIDI-editing operations), Hyper Edit, and Matrix (piano-roll) windows and the all-powerful Environment window. Learn Bootstrap Development By Building 10 Project. Each window contains submenus pertinent to its editor (see Fig. If you're familiar with the basics of MIDI and audio editing, there's very little you can't do in Logic's editors.
One feature that I've always liked is Logic's ability to resize the Transport window and open multiple instances — one dedicated to SMPTE readout, one for bars and beats, and one handling the traditional transport functions, for instance. Managing all of those windows could be a nightmare — but not in Logic. You can create custom Screensets and recall them at the touch of a computer key. Logic defaults to using the numbers on the numeric keypad to recall as many as 99 Screensets, and you can customize all key commands. Logic 5.5's user interface is so snappy that hopping between editors is instantaneous, even in huge sequences that are otherwise taxing the CPU. SETTLING THE SCORE Although I'm an avid Coda (now MakeMusic) Finale user, Logic's scoring capabilities impress me.