Posted 3/14/2018 by admin

Roland Dyens Night And Day Rare

Roland Dyens - Night & Day NIGHT & DAY 10 Jazz Arrangements for Solo Guitar Roland Dyens It's finally here! The much anticipated release of Roland Dyens' personal transcriptions from his incredible CD Night & Day.

The reason for the long wait is simplethere's no 'ghost writing' here. Magicbox Dect Phone Manual. Dyens personally transcribed every note and carefully added his meticulous fingering and performance notes. His goal was to provide you with every tool necessary to master these beautiful arrangements. Guitar critics worldwide have raved about the Night & Day CD. It's packed with brilliant arrangements of the great, classic melodies Dyens calls the 'ten standards that represent the History of Jazz.' These are challenging solos, but once mastered you'll have ten professional concert-quality arrangements at your fingertips. Music notation, no tab, 120 pages.

Very highly recommended! Product description/review Copyright © 2005 Guitarist's Forum • All of Me (Simons & Marks) • Bluesette (Toots Thielemans)• Night and Day (Cole Porter)• Misty (Erroll Garner) • All the Things You Are (Jerome Kern) • Over the Rainbow (Harold Arlen)• Take the A Train (Billy Strayhorn)• I Love Paris (Cole Porter)• A Night in Tunisia (Dizzie Gillispie)• Polkadots & Moonbeams (Jimmy Van Heusen) (Polkadots & Moonbeams is arranged for guitar and vibraphone, as on the CD.) We are Out-of-Stock on this Roland Dyens book and CD. To be notified of it's availability, please for our E-mail.

Find great deals on eBay for dyens and. LATIN AMERICAN GUITAR FESTIVAL RARE SEALED CD ALBUM! LAURO DYENS PIAZZOLLA. ROLAND DYENS - NIGHT AND DAY/VISITE. Roland Dyens (October 19, 1955 – October 29, 2016) was a French classical guitarist, composer, and arranger.

NIGHT & DAY - The CD! 10 Jazz Arrangements for Solo Guitar Roland Dyens Critically acclaimed CD by French guitar master Roland Dyens. Ten brilliant arrangements of the great, classic melodies Dyens calls 'ten standards that represent the History of Jazz.'

Once you've heard it, I don't think you'll need any more convincing. It's a beautiful recording, and the best news is that all ten arrangements have been transcribed in Dyens new book! (Book sold separately - ) Very highly recommended! Product description/review Copyright © 2005 Guitarist's Forum • All of Me (Simons & Marks) • Bluesette (Toots Thielemans)• Night and Day (Cole Porter)• Misty (Erroll Garner) • All the Things You Are (Jerome Kern) • Over the Rainbow (Harold Arlen)• Take the A Train (Billy Strayhorn)• I Love Paris (Cole Porter)• A Night in Tunisia (Dizzie Gillispie)• Polkadots & Moonbeams (Jimmy Van Heusen) We are Out-of-Stock on this Roland Dyens CD. To be notified of it's availability, please for our E-mail.

It's not a shift, but a paradigm chasm from classical to jazz guitar playing. Although all music shares a common vocabulary, the vernacular of jazz with its odd idioms of syncopation and blue notes might seem like an exotic dialect to a classical player, a southern drawl to one raised speaking an Irish brogue. Truly authentic communication with an instrument via classical or jazz, as with a brogue or drawl, demands there be no mimicry. The dialect must be a native tongue. Roland Dyens proves on Night and Day that he is fabulously bilingual.

Although having firmly established his preeminence as a classical guitar player with prior recordings of Villa-Lobos, Satie, Sor and Weiss, Dyens has shown perhaps more fluency with modern genres, including arrangements of Georges Brassens songs, Thelonius Monk and Django Reinhardt standards, even a tribute to the music of Frank Zappa. Night and Day likewise showcases Dyens' facility with novel and virtuosic renderings of classic American jazz standards on solo nylon-string guitar. Like Martin Taylor, Dyens plays on one guitar that which sounds to be impossible, both in speed and articulation of diverging counterpoints. Particularly on Bluesette, All the Things You Are and Take the A Train, one must pause to verify that these are not duos. And as any serious musician strives to do, the technical difficulty of these arrangements is camouflaged, made subliminal by the carefree and contagious exuberance Dyens infuses into these tunes. Even the simpler, slower melodies I Love Paris, Misty, and Over the Rainbow find a very complex expression with Dyens' genius for arranging. But in the process of finding their way to your ear become simple again, natural, a native tongue that speaks to you sincerely in a dialect you've always heard.